The phrase "as incidental for" is not commonly used in written English and may not be correct in many contexts.
It could be used when discussing something that is secondary or not essential to the main topic, but it may require rephrasing for clarity.
Example: "The costs incurred were considered as incidental for the overall project budget."
Alternatives: "as secondary to" or "as a minor aspect of".
For DiCaprio, it's as incidental as his sloppy man bun.
Beethoven's Melodram, for glass harmonica with recitation, was composed in 1814 as incidental music for Friedrich Duncker's drama entitled Leonore Prohaska.
Until 1829 he there produced 10 ballets, as well as incidental dances for dramas.
The score was intended as incidental music for a stage adaptation by Russian writer Sigizmund Krzhizhanovsky of Alexander Pushkin's novel-in-verse.
Prokofiev's score was intended as incidental music for a stage adaptation by Sigizmund Krzhizhanovsky of Alexander Pushkin's novel-in-verse.
Mr. Xenakis composed the core of the work as incidental music for a staging of that Aeschylus trilogy in Ypsilanti, Mich., in 1966 and recast it as a concert suite in 1967.
His great popularity as an actor was perhaps even exceeded by his popularity as a poet and songwriter; he wrote several hundred songs and poems, as well as incidental music for plays and films.
A lot of Mr. Frisell's music -- politely expanded in harmony and rhythm by Mr. Miles and Ms. Scheinman -- was slight, as incidental music for a soundtrack often is.
Notable among them is "The City at Night," which on Nov. 13 will feature Copland's "Quiet City," a work that began in 1939 as incidental music for a short-lived play that evoked an after-hours urban setting.
In the context of these experimental works it was a pleasure to hear David Lang's strangely tender, harmonically diffuse "Wed," from 1996, written as incidental music for a production of Shakespeare's "Tempest," music meant as a bittersweet, fantastical evocation of a wedding masque.
Underneath all the madness is Clint Mansell's surging, swirling, haunting score, featuring a recurrent refrain that reminded me of the aching longing of David Bowie's Warszawa (some of the instrumental soundscapes from Low were originally intended as incidental music for The Man Who Fell to Earth – another genetic link to sci-fi).
