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Not so much Brave New World as Goodnight, Sweetheart.
Michelle's latest book Impossible! as well as Goodnight Mister Tom are available from the Guardian bookshop.
I would plump for Leto, who lets not a syllable go unmangled, and whose attempt at pure evil is roughly as frightening as "Goodnight Moon," but I could be wrong.
I have also just finished reading Just Henry by Michelle Magorian and although I didn't enjoy it quite so much as Goodnight Mr Tom, it is still an excellent book and I learned a lot about what life was like for my grandparents when they were growing up after the war.
As Goodnight Sweetheart, Goodnight by the Spaniels plays softly in the background, Curt looks down from his window seat in the climbing airliner to see that elusive phantom Thunder Bird rolling along an empty highway.
As the New Yorker's Anthony Lane wrote in his review, "[Leto's] attempt at pure evil is roughly as frightening as 'Goodnight Moon.'".
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He captures the solitary sense of being the last one awake in a sleeping house and the peacefulness that comes with discovering a restful space of one's own (even if that space isn't found in the classic places: the well-appointed bedroom, as in "Goodnight Moon," or at the tail end of a strange dream, as in Sendak's "In the Night Kitchen").
(Every now and then he also called me "Sweet Prince," as in "Goodnight, Sweet Prince").
As in "Goodnight Moon," Brown's rhythms in "The Dead Bird" are almost liturgical, her details simultaneously specific and allusive.
So why aren't they simply flushed by the tides into the open sea, without so much as a goodnight moon?
For example, many children display specific routines at bedtime such as saying goodnight in a particular way to their parents and/or toys.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com