The phrase "artwork status" is correct and usable in written English.
It can be used to refer to the current condition or progress of a piece of artwork, such as whether it is completed, in progress, or needs revisions.
Example: "Before we proceed with the exhibition, please provide an update on the artwork status for each piece."
Alternatives: "art piece condition" or "art project progress".
The representational view of art relegates art to a secondary status: the artwork brings to mind something other than the artwork, an original state of affairs, a specific meaning or reality.
This leads to a further investigation into the ways an artwork's digital status bears on its appropriate appreciation.
Born into a family of Holocaust survivors, Maylor's iconic artworks upset the status quo, as all great art does, in revealing the gatekeepers supression of the true value of art -- the illumination of the unconscious stream of life.
The low economic stakes free up exhibitors mostly curators, not high status art dealers to take risks and bring artwork they like, rather than artwork they know will recoup the money they've invested in a booth. .
Gadamer's conversation on aesthetics paints its bolder themes: art is interrogative by nature, artworks work through a disclosure of meaning, disclosures of meaning establish art's cognitive status, the cognitive content of art is partly intelligible and partly enigmatic, and artworks are always open to re-interpretation.
A mix of medieval and modern, fantastical design and flawless technique, his jewelry raises ornament to the status of artwork.
Instead, Golub tacked them to the walls of galleries with pins or nails, so that they gently sagged down and away, gently mocking their status as artworks.
Sometimes it's used deliberately to attach status to an artwork or exhibition.
This emphasis on the 'derealising' aspect of the consciousness of an image has important implications for the ontological status of the artwork.
The materials identified in the original composition, in particular the azurite pigment instead of lapis lazuli and the gilding in Zwischgold instead of pure gold testify the modest status of this artwork in comparison with other Giotto Crosses, such as the crucifix of the Santa Maria Novella [14].
