The phrase "artists thoughts" is not correct in written English; it should be "artist's thoughts" or "artists' thoughts" depending on the intended meaning.
You can use it when discussing the ideas or reflections of an individual artist or multiple artists.
Example: "The exhibition showcases the artist's thoughts on the impact of technology on modern life."
Alternatives: "the artist's reflections" or "the artists' perspectives".
Here's a selection of these artists' thoughts and work.
As we wrote last week when Spotify announced a deal with Genius — where the annotations company will provide lyrics, observations and artists' thoughts that will pop up as the music is played — Spotify can use features like this to make its app less of a background tool and more of something that people can actively look at while they're listening to the music.
The juxtaposition takes the focus off of the art itself, challenging the artists' thoughts and comments on society and politics.
He hoped he looked like a writer, an artist thinking thoughts that no one had ever thought before, and not just some miserable graduate student, trapped in a low-rent version of Edward Hopper's "Nighthawks".
In addition to "Walking Man I" the artist thought of creating at least one standing woman and a monumental bust.
A diaristic record of the artist's thoughts; news from a life – and a world – in turmoil.
Together they create a virtual diary of the artist's thoughts, ideas and work over a 25-year period, 1948 to 1973.
Although there are no live performances, alas, there is at least a strong presentiment of the artist's thoughts at work.
For Neizvestny, the key to designing a successful memorial was always finding a strong abstract idea "reflecting the trajectory of the artist's thoughts" and reducing it to a visual image that conveyed the subject's emotional essence.
An answer that seems apt for Truffaut's work, is that the artist's thoughts are too numerous, his experience too rich, his thoughts too troubling for a direct portrayal — their abysses and their volume invoke condensation and a sudden, shuddering evocation.
The critic David Sylvester, who has curated more Bacon exhibitions around the world than anyone else (the last was at the Hayward a few months ago) and whose interviews with Francis Bacon are regarded as the last word on the artist's thoughts, refused to have anything to do with the film, nor to allow any of Bacon's words, recorded in the interviews, to be used.
