The phrase "artists resources" is not correct in written English; it should be "artist's resources" or "artists' resources" depending on the intended meaning.
You can use it when referring to materials, tools, or support available to artists, either individually or collectively.
Example: "The website offers a variety of artist's resources, including tutorials, templates, and funding opportunities."
Alternatives: "resources for artists" or "artist resources".
New York Foundation for the Arts has national job listings, not just local (http://www.nyfa.org) and Chicago has Chicago Artists Resource job listings (http://www.chicagoartistsresource.org), or Americans for the Arts Job Bank (http://jobbank.artsusa.org/).artsusa.org/
TuneCore has also established partnerships and programs with social networking sites, suppliers of music creation software, music vendors and other artist resources.
While snacking, viewers can take in "Rainbow City," inflatable sculptures by the artist resource center FriendsWithYou.
Even more impressive is the in-house Artist Resource and Media Laboratory, which will provide arts technicians and dance artists with extensive access to video-editing, digital video creation, graphics layout and digital performance playback.
With the continuous growth of One Church LA, Roberts felt an affinity for the church's congregants, who are mainly entertainers and artists, and in 2012, he founded the Artist Resource Center (ARC).
It includes what the NEA calls "an artist resource program offering cross-navigational assistance," which, if Culture Monster's interpretation of government jargon is not mistaken, means something akin to establishing a dating service where artists and techies can meet, in hopes they'll click as couples and have beautiful brainchildren together.
Also, productions in Vienna, Austria, and in Zürich, Switzerland, are significant to Germany's artistic life, and artists and resources move easily and freely among the theatrical and operatic companies within the German-speaking regions.
They can trustingly give artists time, resources and space to toss about ideas.
Subsidy is seen as a "handout", and a proper debate among artists about resources as "whingeing for a handout".
No other opera company in the world would think itself capable of amassing the artists and resources necessary to properly perform all 28 Verdi scores consecutively, from early oddities like "Alzira" to challenging masterworks like "Otello".
