As this Tate press release says: "The artist questions our understanding of notions such as art, Africa, and the west".
The artist questions whether he has the licence to show it, whether he has interpreted Kimura's eye movements correctly.
In "Song for My Mirror," this meticulous and idiosyncratic artist questions assumptions about beauty, ownership, and small, shiny objects.
Mastertapes reviews an artist's important album (the one usually called "seminal" by music journalists) by the simple means of Wilson asking the artist questions about it, in front of a live audience.
In its brief citation, the jury praised the work as "strong and surprising and perfectly balanced in its space" and noted how "the artist questions the history, function and the epic of art through temporal and physical contextual isolation".
The artist questions his future from a youthful, inexperienced perspective.
By choosing the 13-ton limestone rock as the material for this work, the artist questions the different timeframes that humans work within.
Where, in the original exhibition, the artist questioned the way in which we consume visual art, in this new video collage he specifically looks at the way we absorb the news.
Where, in the original exhibition, the artist questioned the way in which we consume visual art, in this new video collage he specifically looks at the way we absorb the news.
The case touches on American culture's ambivalence toward death, public suspicion of "crazy" artists and questions of privacy and free speech.
