The phrase "artists policy" is not correct in standard written English; it should be "artists' policy" to indicate possession.
You can use it when referring to a set of guidelines or rules that pertain to artists, typically in a professional or organizational context.
Example: "The gallery has implemented an artists' policy to ensure fair treatment and support for all participating artists."
Alternatives: "policy for artists" or "guidelines for artists".
Chinese lawyers, journalists, scholars, artists, policy advisers — many among them will be heartened by the Nobel Committee's decision.
Learn more about the Berkman Center for Internet & Society -- and its network of researchers, activists, faculty, students, technologists, entrepreneurs, artists, policy makers, lawyers, and more -- in an interactive conversation lead by Faculty Chair Jonathan Zittrain.
Learn more about the Berkman Klein Center for Internet & Society at Harvard University -- and its network of researchers, activists, faculty, students, technologists, entrepreneurs, artists, policy makers, lawyers, and more -- in an interactive conversation lead by Berkman Klein Center Faculty Chair Jonathan Zittrain.
At the heart of these complex, intercultural interactions are various types of agents, intermediaries and mediators, including translators, writers, artists, policy makers and publishers involved in the preservation or rejuvenation of literary and cultural repertoires, languages and identities.
The D.A.R.'s enforcement of its "white artist" policy against Marian Anderson drew protests from many commentators who otherwise favored segregation; perhaps they sensed that such exaggerated forms of segregation would, and did, end up endangering the whole system.
D.A.R. leaders took that custom, and racial segregation, one step further with the "white artist" policy they implemented starting in 1932: only white artists were allowed to perform on the stage of Constitution Hall, in front of segregated audiences in which the number of black ticket holders was minimized.
A practitioner of what she terms "legislative art," artist, policy advocate, and professor, Laurie Jo Reynolds, is most well-known for the Tamms Year Ten project, a grassroots legislative campaign that spurred the closure of the supermax prison Tamms Correctional Center in Illinois.
But could, and should, other artists help with a theatre director's artistic policy?
Arsenault evokes the powerful interests that clashed when the Daughters of the American Revolution, which managed Constitution Hall, refused to lift the "white artists only" policy for Anderson.
Spanning almost a century, the ICWA archive tells the story ofboth the ever-evolving history ofthe organization itself, with its unique philanthropic mission and the important story of its founders, and international affairs and culture as witnessed and described by hundreds of journalists, scholars, artists, and policy makers, many ofwhom emerged as leaders in their chosen fields.
From artists to policy-makers, teachers to nursery managers, aside from modesty, these professionals all share one powerful thing in common: the importance they place on making a difference to early childhood development using creative and cultural processes.
