Sentence examples for artists point from inspiring English sources

The phrase "artists point" is not correct in standard written English.
It may be intended to refer to a specific location or perspective related to artists, but it lacks clarity and proper grammatical structure.
Example: "At the artists' point, we gathered to discuss our creative visions and share ideas."
Alternatives: "artists' perspective" or "artists' viewpoint".

Exact(12)

Best of all, from the artists' point of view, the resort is not a dealer in the usual sense.

We let him out of his contract, and I knew right then that we'd be successful as long as we saw it from the artists' point of view".

Similarly, in the section called "Militia Companies," paintings of citizens' military units by other artists point up the remarkable composition of Rembrandt's "Night Watch".

Islands, the theme of their new show, also have permutations as penal or leper colonies, the artists point out, or as unmoored archipelagoes "where odd mutations can happen," Mr. Martin said.

Of course, both these artists point back to the work of appropriation artists of the 1980's and 1990's and, before them, to a whole generation of Pop Art pioneers who recycled mass-media images.

Black art, these artists point out, is multifaceted and vibrant, on big screen and small, on stage and in bookstores, in museums and galleries -- leading some of them to ask: Is there no room for a little cheekiness?

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Similar(48)

(Why are so many artists pointing cameras into orifices these days?) Mostly the line holds, though, and music helps.

But the payments from streaming services of all kinds for the right to play music has lately become a hot issue, with artists pointing out their tiny earnings from these growing services' micropayment systems.

The big microphone in the northern sky remains a tantalising prospect for many though, and at the 2014 awards more than a handful of Aussie artists pointed to cracking the US market as their big hope for 2015.

What brought us together was a collective concern about the continuing polarisation and a criticism of the government's attitude towards artists pointing the finger at individuals and accusing them of being behind the protests.

As Ms. Dickerman notes in her catalog essay, "The incongruous alliance of financiers and leftist artists points to the way that in the 1930s capitalism and communism intertwined in far less antipodal ways than might be presumed looking back through the lens of the cold war".

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