The phrase "artistic unity" is correct and usable in written English.
It can be used when discussing the coherence and harmony of elements within a work of art, literature, or performance.
Example: "The film's artistic unity is evident in its consistent themes and visual style, which enhance the overall narrative."
Alternatives: "creative cohesion" or "aesthetic harmony".
Appia began with the assumption posited by Wagner that the fundamental goal of a theatrical production was artistic unity.
His crusade for artistic unity in ballet had already begun, but at this stage it made little impact.
Against this approach it has been argued that in neither case does structural analysis succeed in making contact with the real source of artistic unity.
It would be fascinating to hear how Popoola and Holmes crafted this level of artistic unity, almost a sustained act of ventriloquism.
But to make such distinctions requires a sensitive understanding of a building as an artistic unity, not as a set of materials.
To create an artistic unity out of the wide range of moods and materials included in every novel, with often several complicated plots involving scores of characters, was made even more difficult by Dickens's writing and publishing them serially.
He was thinking of a big work about Abraham Lincoln, he was asking Heyward for new ideas, and there was always his original idea of "an opera of the melting pot, of New York City itself," which would "allow for many kinds of music, black and white, Eastern and Western, and would call for a style that should achieve, out of this diversity, an artistic and an aesthetic unity".
Artistic director Unity Theatre.
It has arrived in New York minus a few key works, but — with a catalog featuring a probing essay by Mr. Mattison and a shorter, more personal assessment by the art historian and critic Irving Sandler — it still brings a new artistic and emotional unity to Kline's achievement.
As we have seen, existentialist aesthetics generally insists on the unity that artistic expression brings to the world.
She was a naturalist; she saw art as organic in origin, and she echoed the view, long held among symbolists, that artistic form and content compose an indissoluble unity that each art manifests according to its peculiar conditions.
