The phrase "artistic supervisor" is correct and usable in written English.
It can be used to refer to a person responsible for overseeing the artistic aspects of a project, such as in theater, film, or visual arts.
Example: "The artistic supervisor ensured that all visual elements aligned with the director's vision for the production."
Alternatives: "artistic director" or "creative supervisor."
Development for the film began in 1994, when a number of artistic supervisors were sent to China to receive artistic and cultural inspiration.
Development for Mulan began in 1994, after the production team sent a select group of artistic supervisors to China for three weeks to take photographs and drawings of local landmarks for inspiration; and to soak up local culture.
Any artistic aspirations?
WISHFUL DRINKING Created and performed by Carrie Fisher; directed by Tony Taccone; sets, lighting and projection design by Alexander V. Nichols; associate producer, Garret Edington; technical supervisor, Steve Beers; associate artistic director, Scott Ellis.
A BODY OF WATER By Lee Blessing; directed by Maria Mileaf; sets by Neil Patel; costumes by Candice Donnelly; lighting by Jeff Croiter; original music and sound by Bart Fasbender; production stage manager, Larry K. Ash; production supervisor, PRF Productions; associate artistic director, Michelle Bossy.
INTIMATE APPAREL By Lynn Nottage; directed by Daniel Sullivan; sets by Derek McLane; costumes by Catherine Zuber; lighting by Allen Lee Hughes; music by Harold Wheeler; sound by Marc Gwinn; production stage manager, Jay Adler; technical supervisor, Steve Beers; associate artistic director, Scott Ellis; general management, Don-Scott Cooper and Catharine Guiher.
BUFFALO GAL By A. R. Gurney; directed by Mark Lamos; sets by Andrew Jackness; costumes by Candice Donnelly; lighting by Mary Louise Geiger; original music and sound by John Gromada; production stage manager, Matthew Melchiorre; production supervisor, PRF Productions; associate artistic director, Michelle Bossy.
HUNTING AND GATHERING By Brooke Berman; directed by Leigh Silverman; sets by David Korins; costumes by Miranda Hoffman; lighting by Ben Stanton; original music and sound by Robert Kaplowitz; production stage manager, Kate Hefel; production supervisor, PRF Productions; associate artistic director, Michelle Bossy.
DESIGN FOR LIVING By Noël Coward; directed by Joe Mantello; sets by Robert Brill; costumes by Bruce Pask; lighting by James Vermeulen; original music and sound by Douglas J. Cuomo; production stage manager, Andrea J. Testani; general manager, Sydney Davolos; technical supervisor, Steve Beers; associate artistic director, Scott Ellis.
But Cupid had a sense of humor: Ms. Benner's boyfriend, who was also a producer of artistic performances, was Mr. Das Mann's supervisor at that event.
