The phrase "artistic structures" is correct and usable in written English.
It can be used when discussing forms, designs, or frameworks that are related to art or creativity.
Example: "The gallery showcased a variety of artistic structures that challenged traditional notions of sculpture."
Alternatives: "creative frameworks" or "aesthetic forms".
The artist can discover a preexisting abstract artistic structure, but the work is an action type that the artist "performs" in so doing.
These artists contacted their public directly by simply -- sometimes too simply -- framing reality with a clearly imposed artistic structure.
Poems were recited in literary circles and in public, hence the importance attached to euphony, smoothness, and artistic structure.
Writing in the Swedish newspaper Svenska Dagbladet, Knut Ahnlund described Jelinek's prose as "shovelled together without a trace of artistic structure".
On the other hand, a member named Knut Ahnlund quit in 2004 over the award to Ms. Jelinek, a feminist, whose work he called a "mass of text shoveled together without artistic structure".
He added, "Until the board of trustees takes control and prevents these few select officers from continuing on this path, the fragile financial and artistic structure of A.B.T. will continue to be terribly undermined".
Mr. Ahnlund, who has not been an active participant in the academy's work since 1996, wrote in the newspaper Svenska Dagbladet that Ms. Jelinek's writing was "a mass of text that appears shoveled together without a trace of artistic structure" and expressed doubt that the members of the academy had ever read even a fraction of her work.
A less heavily freighted way of motivating the distinction in aesthetics is to say, along with Pepper and others, that reference to the vehicle or artistic structure alone does not suffice to identify the object of critical evaluation, or what artistic and aesthetic appreciation is really about.
Levinson (1992) takes up the question of work individuation and asks whether Beethoven and twin Beethoven really make the same works, even though they act within qualitatively identical cultures and come up with tokens of the same artistic structure via qualitatively identical paths.
