The phrase "artistic sectors" is correct and usable in written English.
It can be used to refer to various fields or industries related to the arts, such as visual arts, performing arts, and literature.
Example: "The government is investing in artistic sectors to promote cultural development and creativity in the community."
Alternatives: "creative industries" or "arts sectors".
But while the culture industry uses advanced technology to maximize profits, the same methods are being explored and challenged in other, more artistic sectors, from indie rock to underground electronic music.
His examination of data in both the technological and artistic sectors demonstrates that in the creative industries, the likelihood of commercial failure is extraordinarily high and difficult to predict.
He was among more than 350 speakers from corporate, nonprofit, academic and even artistic sectors who gathered in Minneapolis, Minnesota last week to discuss social change, including some of the latest efforts to reap often elusive profits from social enterprise endeavors.
The L.A. region's creative economy includes the entertainment industry as well as other artistic sectors such as fashion, digital media, architecture and the visual and performing arts.
Yet, the artistic sector (from the visual arts to music, dance and architecture) has remained largely impervious to BDS.
Patrons and arts foundations should consider unconventional grants to arts occupational groups to help their members position themselves in larger national and international marketplaces, enhancing the export orientation of the artistic sector.
The effects of Lat's works were not confined to the artistic sector.
All of us in the artistic sector should be asking ourselves: How are we engaged with technology that supports the artmaking process and serves as a platform for the art itself?
How do artistic and civic sectors differently understand site-specific work?
BCLT's 11th Annual Symposium will draw attention to a range of issues from technological, business, academic, artistic, and public interest sectors in the United States and abroad.
For this reason her research sites span artistic, commercial, and educational sectors, and she has served on the White House Office of Science and Technology Policy OSTPP) Academic Consortium on Games for Impact.
