The phrase "artistic philosophy" is correct and usable in written English.
It can be used to describe a set of beliefs or principles that guide an artist's work or approach to art.
Example: "Her artistic philosophy emphasizes the importance of emotional expression and authenticity in every piece she creates."
Alternatives: "creative ideology" or "aesthetic principles".
The Russian artist Kazimir Malevich, known for painting the Black Square and espousing an artistic philosophy that held geometric forms supreme, had a previously unknown son in a town in Russia before he went on to join the avant-garde in Moscow and Paris, the chief archivist in Kursk, Margarita Litvinova, told Russian news agencies Monday.
"Like everybody, I am attracted to danger," said the 60-year-old of his artistic philosophy.
If the company has an artistic philosophy, it's: let the people tell the story.
"Being Seen Makes a Movement Possible" is more than the installation's title, it's JEB's artistic philosophy and modus operandi.
In a 1996 interview with Salon, Mr. Newton suggested that his German upbringing and his experiences with the Nazis played a large part in his artistic philosophy.
His artistic philosophy gave priority to what may be called "emotional progression"—i.e., the establishment of an immediate rapport with the audience through the anticipation and eventual achievement of catharsis.
Such open-endedness is fundamental to the artistic philosophies of both men.
The sociopolitical conditions and prevailing artistic philosophies that anchored the narrative of "Giselle" within a broader cultural milieu have long since passed into history.
Although these rival groups both promoted "concrete art"—their name for geometric abstraction devoid of representational content they differed in their artistic philosophies.
Although she and Jill Soloway, the creator of "Transparent," have a long history, their artistic philosophies split at the root: it's notable that Soloway's company is called Topple, for "topple the patriarchy," and Kohan's is called Tilted.
The French scholar Michel Remy looks briefly at the various stages of Agar's career, following her attraction to the avant garde and the development of her work through cubism into surrealism, and considering her artistic philosophies as they informed those developments.
