The phrase "artistic framework" is correct and usable in written English.
It can be used to describe a structure or system that supports or guides artistic expression or creativity.
Example: "The artist developed an artistic framework that allowed her to explore various mediums and styles in her work."
Alternatives: "creative structure" or "artistic structure".
As an artist who got her preliminary artistic framework and education in Istanbul and later in Vienna, her work is inspired by her daily experiences and observations [17].
He will incorporate it into his own artistic framework, in fact.
"Instead of pouring out our natural aggressions on people, we should use them in an artistic framework".
The prize, Mr. Ross said, was also meant to "spur additional thinking about what kind of activity takes place on the Web in an artistic framework".
Since Confucius, the Chinese have conceived of music as part of a transcendent ethical and artistic framework, evoking music's abstractions in poetic imagery and moral imperatives.
What's special about Ray is that he approached the matter less like a conductor than like the leader of a jazz band — he encouraged his soloists, who, by working in his artistic framework and, as important, by being exposed to his own personal influence (or, let's say, simply, presence), both become both more recognizably themselves and more distinctively his own.
In her performances, Aladağ creates artistic frameworks for experience that reflect and dramatize aspects of the structures and conditions which form personalities and communities, raising questions that unsettle and intrigue, confuse and delight us.
MyTown Music has taken a model of artist development, simultaneously created a model for personal development and is capitalizing on a huge need to empower individuals and organizations so they can create their own artistic and educational frameworks.
Her artistic work provides a framework for researching, analyzing, and intervening in contested sociopolitical realities.
The main body of my arguments demonstrates in which artistic principles and literary framework Pushkin's texts are interwoven with each other.
Instead, the engravers appear to have worked fairly autonomously, in Mantua and elsewhere, engaging with and manipulating their source material, experimenting technically and in the design of their prints, and finally questioning the role of engraving within the greater framework of artistic practice in the sixteenth century.
