The phrase "artistic disposition" is grammatically correct and can be used in written English.
It refers to a natural inclination or tendency towards artistic expression or creativity. Example: "The young girl always had an artistic disposition, spending hours drawing and painting in her room."
Art was a man's affair for most of Western art history, and the paucity of women artists in earlier eras ingrained a conception that the artistic disposition is naturally male, while women will always be the exception.
PIGGOTT, Ark .— During his periodic stays in this small town in the Arkansas delta, Ernest Hemingway was looked upon by the locals as something of a proto-hippy with his shabby clothes, unshaven face and artistic disposition.
This is less an indicator of Fleetwood Mac's huge influence – although they've probably been referenced more times in this column these past few years than the Stones and Beatles combined – merely evidence that when women of a certain artistic disposition bearing guitars approach a mic, more often than not they will produce a sound like this.
It would be extremely interesting to hear whether Ogawa knows, ab ovo, the trajectory of each of her stories or whether she is of a more spontaneous artistic disposition, allowing some details to impinge upon, and so alter, the warp and woof of her narrative structure.
With those beautiful guitars... .. Listeners of a certain age and/or artistic disposition will readily recognize that Glass Marbles stands as a spirited reaffirmation of the album as an aural art-form, and not simply a souvenir of a live performance.
Jazz suggests a spectrum of artistic dispositions, and musicians all over the world take from it whatever suits their own temperaments.
Hendrix's peers, from Eric Clapton to Mick Jagger, were firmly entrenched by the time they reached their prime; their challenge was finding ways to escape their solidifying artistic dispositions.
It's a mouthful, but the title of Tarek Halaby's lecture-performance, which rambles along like a garrulous dissertation topic, was the first wink of the night: "An attempt to understand my socio-political disposition through artistic research on personal identity in relationship to the Palestinian-Israeli conflict, Part One".
In this bewildering mosaic, it is hard to find any shared moral outlooks, political dispositions, customs, or artistic traditions that do not reveal further internal complexity and division.
Mr. Kuzminsky brings an encyclopedic knowledge of literature, a naturally fatalistic disposition and a lifetime of artistic hard knocks in the former Soviet Union and the United States.
