The phrase "artistic constructs" is correct and usable in written English.
It can be used to refer to creations or ideas that are formed through artistic expression or imagination.
Example: "The gallery showcased a variety of artistic constructs that challenged traditional notions of beauty and form."
Alternatives: "creative frameworks" or "artistic creations".
Millhauser weaves into this extraordinary story ideas of decadence, of mimesis, of subjective identification with artistic constructs.
I reminded myself as I entered the cinema that feature films, however good they are, amount to artistic constructs which are of their nature incompatible with strict historical accuracy.
Yet at the same time, we continue - sometimes unintentionally, and sometimes with the chillingly calculated violence of thought and law and action - with the dehumanization and othering of people whose differences to ourselves, however ostensibly radical, still place them far closer to us than fleshless artistic constructs.
Of course her world is an artistic construct: her plots, as she herself would have admitted, are utterly unreal.
Each composition is a unique artistic construct.
Stray Light Grey was an artistic construct, by which I mean to say it was a spiritual phenomenon, or more precisely, it was Freeman and Lowe themselves, and by extension, we who saw it.
Of these three, Love and Poesy are integrated into "Ode on a Grecian Urn" with an emphasis on how the urn, as a human artistic construct, is capable of relating to the idea of "Truth".
Haworth showed an artistic concept in their NeoCon showroom constructed by Patricia Urquiola that entwined projectors with movement to create an interactive art display on a tabletop surface.
PAGE B14 Arts OLD FOOTAGE OFFERS A LOOK At an Elusive Artist "Jean-Michel Basquiat: The Radiant Child" is a film homage to the artistic wunderkind, constructed around a rare question-and-answer interview with Basquiat that its creator, Tamra Davis, filmed in 1985.
His desserts are complex and artistic, carefully constructed, beautiful to look at and full of unexpected combinations, like a bittersweet chocolate mousse cake that tastes like heaven, served with chocolate-tea ice cream and crisp tuiles.
But after watching this homage to an artistic wunderkind, constructed around a rare question-and-answer interview with Basquiat that Ms. Davis filmed in 1985 (their mutual friend Becky Johnson asked the questions), then put in a drawer, you might revise Hughes's declaration to read, "Nobody knows the genius child, least of all himself".
