The phrase "artistic appreciation" is correct and commonly used in written English.
It refers to the act of recognizing and valuing the aesthetic qualities of a work of art. It can be used in a variety of contexts, such as discussing the value of art education or describing someone's ability to understand and interpret art. Example: The museum offered a workshop on artistic appreciation, where participants learned how to analyze and interpret different types of art.
But this tribute in cake form to the artist Piet Mondrian takes that sort of artistic appreciation to a whole new level.
Clues as to the couple's artistic appreciation abound.
In fact, there are even hierachies of artistic appreciation in evening dress.
Yet as we watch Jenison blur the lines between forensic investigation and artistic appreciation, our disbelief is duly suspended.
But what if, despite their apparent similarity, sadness in the realm of artistic appreciation is not the same thing as sadness in everyday life?
Like many art lovers, like many New Yorkers, my relationship with the Met goes beyond the bounds of mere artistic appreciation.
A less heavily freighted way of motivating the distinction in aesthetics is to say, along with Pepper and others, that reference to the vehicle or artistic structure alone does not suffice to identify the object of critical evaluation, or what artistic and aesthetic appreciation is really about.
A news release says that it is its artistic directors' "lifelong appreciation of the artistic and aesthetic appeal of the multicultural that forms the cornerstones of Complexions Contemporary Ballet's singular approach to reinventing dance".
Aside from being a scientific study, A Sea of Glass is also an artistic monograph; an appreciation of the unique "gestalt" created by the Blaschkas.
A plausible diagnostic (Livingston 2013) is that at least some of the diversity of opinion in ontology reappears when we turn to conceptions of aesthetic and artistic value and appreciation.
Van Camp (1980) opposes McFee's points (3) and (4) to some extent, since she holds that, for purposes of artistic judgment and appreciation at least, it is the case that sometimes the dance performer "creates", and not just performs and interprets, the dance.
