The phrase "articulation range" is correct and usable in written English.
It can be used in contexts related to speech, music, or physical movement, referring to the extent or limits of articulation.
Example: "The singer demonstrated an impressive articulation range, effortlessly hitting both high and low notes."
Alternatives: "range of motion" or "articulation capacity".
The field of voice ranges from acoustics and aerodynamics, to the biomechanics of voice, articulation, and resonance, to voice training, vocal ergonomics, and vocal hygiene, to the complex neurologic, psychiatric, and sociological basis of interpersonal communication.
No one could deny his phenomenal keyboard mastery, the almost machine-like control of articulation, and the range of touch and colour he brought to a repertoire that extended from Byrd to Schoenberg.
The postulated advantages of large metal-on-metal articulations are improved range of motion, increased joint stability [ 1, 2] and less volumetric wear debris compared to standard metal-on-polyethylene bearing surfaces [ 3, 4].
In the short term we will be able to determine whether large head articulations increase clinical range of motion and reduce the number of dislocations.
Large size hip articulations may improve range of motion (ROM) and function compared to a 28 mm THA, and the low risk of dislocation allows the patients more activity postoperatively.
This large-diameter articulation increases the primary arc range and the lever range, thereby improving the range of movement and the stability.
He never broke from his script to preach that night — he scaled back his usual range of articulation to sound, Jones said, like "he was speaking a dissertation".
For Debussy the resources of the piano -- not just the colors but also the possibilities of range and articulation -- are part of the construction process.
It is not the slowness that seems strange, or anti-Romantic, but the deliberate pulse, the detached articulation and the constricted range of dynamics.
The orchestra's strings use practically no vibrato; Ibragimova uses it sparingly (to bring the solo line alive), and her subtle changes of colour and prodigious range of articulation are things to wonder at.
