The phrase "articulation in that" is correct and usable in written English.
It can be used when discussing the clarity or expression of a particular idea or concept in relation to something else.
Example: "The articulation in that statement highlights the importance of clear communication in our discussions."
Alternatives: "expression in that" or "clarity in that".
Two recent recordings -- a spectacular account of Purcell's "Dido and Aeneas" and an equally vivid reading of Monteverdi's "Orfeo," both on the Virgin label -- are enlivened by daring choices of tempo, ornamentation and orchestral color, as well as by dynamic and articulation touches that are Mahleresque in their detail and sweep.
"Kurtág was talking about vitally important things - tone-quality, harmony, articulation, counterpoint - and in that first lesson, I learned that music is not just a matter of life and death, it's more important than that".
This results in a relatively rigid humeroradial articulation that allows motion only in the anteroposterior plane, and is associated with relatively fast, direct flight [ 28, 32, 33].
I feel connected to it by the respect for pure articulation that is born in the soul of anyone who dances, sings, or plays from a perspective of pain".
Clearly in that case the articulation of the visual field into columns reflects a tendency in the perceptual system itself.
He was so resolute in his views and so forthright in his articulation that those around him were fearful of challenging him lest they risk embarrassing themselves.
It might be time, in other words, for him to heed the promptings of his characters and liberate still further the energy and articulation that so delight us in his prose.
The crucial difference, in the Huntian articulation, is that where Mr Gove wants free schools to open Britain's sub-par state education to choice and competition, Labour sees them as a cheap way of adding school places.
The articulations that occur in his own choreography, Mr Forsythe explains in a borrowed Sadler's Wells dressing-room, are simply the logical extension of the Leningrad style.
Retention of dorsal ribs posterior to those attached to the sternum as well as a full gastral cuirass with mobile median articulations suggests that, in spite of the presence of a large ossified or cartilaginous sternum, the costal and gastral skeleton continued to play a role in aspiration breathing.
