The phrase "art presence" is correct and usable in written English.
It can be used to refer to the existence or visibility of art in a particular context, such as in a gallery, exhibition, or public space.
Example: "The art presence in the city has transformed the cultural landscape, attracting tourists and locals alike."
Alternatives: "artistic presence" or "presence of art".
What was once a choppy lineup of odd-size spaces has some flow and sweep, just what's needed for an inaugural exhibition called "Nexus New York: Latin/American Artists in the Modern Metropolis," a crowded, episodic but absorbing chronological history of the Latino art presence in this city in the first half of the last century.
To advise on establishing a long-term art presence in Qatar, an international team of art buyers, including Edward J. Dolman, a former chairman of Christie's, was brought in to Doha to help run investments and museum projects for the royal family.
Before Finkelpearl took office, the city's digital art presence was virtually nonexistent.
They're a lot more connected to the desire for local artists or communities to do something with their bus stops, and they're much more useful for their public art presence or to cheer up the town.
But according to Josette Melchor, founder of the Gray Area Foundation for the Arts, city efforts go only so far toward the "most crucial" factor in establishing an arts presence in the area: negotiating with building owners.
Absent from Shteir's negative and polarized description are a less commercialized theater scene than New York's, a first-class symphony, a smaller but superb opera company, a more limited but excellent fine-arts presence, diversified higher education and a distinctive financial district, as well as a sophisticated and self-critical population to enjoy them.
I think that when there's a strong arts presence in a school there tends to be a more positive school climate and a bigger sense of community".
At 88, my father has been watching his godson-nephew Dennis G. Assaf build a lively arts presence in New Orleans since I was a Catholic school girl in tap shoes.
It has what good art has: presence.
In early Christian art the presence of a fish on the table symbolizes the institution of the Eucharist.
But the close-ups of sculptured faces -- an African power figure in lustrous carved wood, a dead European queen in bronze, a pair of Staffordshire monkeys -- start to form a slow-motion animation, a brief exegesis on art's presence and its grip on our attention.
