The phrase "art possibility" is not correct and does not convey a clear meaning in written English.
It may be intended to refer to the potential or opportunities within the realm of art, but as it stands, it lacks clarity and context.
Example: "The exhibition explores the art possibility of blending traditional techniques with modern technology."
Alternatives: "creative potential" or "artistic opportunity".
Still, photography especially accommodated the antic, polymorphous, improvisatory nature of Polke's sensibility — not to mention his propensity for ghostly layering — and gave free reign to his tendency to see every occasion as an art possibility.
The general functions that city parks offer: contact with nature, in the broad sense of the word; possibility for physical recreation – not organised; experiencing art – garden art, pieces of art; possibility of human contact; also space for innovations and the contribution to the "mental map".
That might mean Angels of the North, West, East and South or perhaps film, performance, light pieces or a myriad of public art possibilities.
Returning to Pogo Park's "adopt a spot" on Harbour Way and the Greenway, we will break out into groups and engage in a discussion/brainstorming session about art possibilities for the Greenway and what the group saw and experienced.
Unlike the Blue Line, which has been under construction for years and will have art touches added at the completion, the Green Line presented special art possibilities because it is still being designed, said Jessica Cusick, a former New Yorker who is the public art administrator for the transportation commission.
The prolific artist has introduced us to the realm of public art possibilities in Tehran.
The description of "not academic" certainly fails to describe and encompass the wide and wild range of folk art possibilities.
This chapter shows the versatility of adhesive bonding in everyday textile products and discusses state-of-the-art possibilities and future trends and requirements.
During the 1890s he independently studied both painting and photography, applying himself equally, it would seem, to their commercial and fine-art possibilities, as he understood them.
The first part deals with the state-of-the-art possibilities to acquire the physical relation factor (simplified the distance between reader and transponder).
