The phrase "art pavilion" is correct and usable in written English.
It can be used to refer to a structure or space dedicated to the display of art, often in a public or exhibition context.
Example: "The city is planning to build a new art pavilion in the park to showcase local artists."
Alternatives: "art gallery" or "art center".
On October 21st the luxury-goods firm celebrated the arrival of its Mobile Art Pavilion in New York's Central Park.
Ms. Hadid, who is known for her futuristic architecture, has previously designed stores for Neil Barrett and an art pavilion for Chanel.
The opening of Chanel's Mobile Art pavilion in Central Park this week reminded some New Yorkers how blurred the divide has become between public space and corporate interests.
In this country, there is an increasingly vocal and visible class of Romany and Traveller activists and intellectuals, including the poet David Morley, journalist Jake Bowers, storyteller and playwright Richard Rai O'Neill and artists such as Delaine and Damien Le Bas, who appeared in the first ever Roma art pavilion at last year's Venice Biennale.
Educated at Tsinghua University and the University of California, Zhu - who set up Studio Zhu Pei in 2005 with architects Wu Tong - was the man behind Digital Beijing, the all-but-completed control centre for the 2008 Olympics, as well an origami-like art pavilion in Abu Dhabi that will stand alongside monuments by Zaha Hadid, Jean Nouvel and Frank Gehry.
It also holds a grand staircase that starts a path toward the paintings located on the second floor of each art pavilion.
Its grounds are dotted with sculptures, art pavilions and over 4,000 plant species.
Maybe I can teach my boys how to draw people lining up in front of art pavilions.
In addition to Art Stage Singapore, Hope has experienced the Venice Biennale which also showcases each country in its own unique art pavilions.
The botanical gardens which came to fill these grounds now include natural art pavilions, showing work from the likes of Yayoi Kusama, Anish Kapoor and Steve McQueen.
Adams contrasted the dynamo with the figure of the Virgin, which he suggested was the central inspiration behind much of what he had viewed in the fair's acclaimed art pavilions.
