The phrase "art of thought" is correct and usable in written English.
It can be used to describe the skill or creativity involved in thinking or intellectual processes.
Example: "The art of thought requires not only knowledge but also the ability to connect ideas in innovative ways."
Alternatives: "craft of thinking" or "skill of reasoning".
Why can't photographs be art?" This line of thought led to his image-and-text works.
Hughes's judgment may have a kernel of truth, and yet the juxtapositions and disjunctions that characterise Polke's art reflect processes of thought to which even the most sober observer can relate.
These paintings set a brooding, romantic, even phlegmatic tone at odds with his usual brisk no-nonsense attitude, but they emphasize several important points: The artist is always at the center of the art, no matter how impersonal it may sometimes appear; art takes a lot of thought and deliberation, no matter how simple it may seem; and indolence has its rewards.
Further still, it links art so intimately to ideas and concepts that even a principled distinction between the domain of art and the realm of thought seems difficult to preserve.
One of history's more fraught fine-de-siècle efflorescences of art and thought is recounted in a shifting kaleidoscope of paintings, drawings, architectural models, posters and several species of decorative arts.
(Johnson 20110616 Neue Galerie: 'Vienna 1900: Style and Identity' (through June 27) One of history's more fraught fin-de-siècle efflorescences of art and thought is recounted in a shifting kaleidoscope of paintings, drawings, architectural models, posters and several species of decorative arts.
(Johnson) Neue Galerie: 'Vienna 1900: Style and Identity' (closes on Monday) One of history's more fraught fin-de-siècle efflorescences of art and thought is recounted in a shifting kaleidoscope of paintings, drawings, architectural models, posters and several species of decorative arts.
(Johnson) Neue Galerie: 'Vienna 1900: Style and Identity' (through Aug. 8) One of history's more fraught fin-de-siècle efflorescences of art and thought is recounted in a shifting kaleidoscope of paintings, drawings, architectural models, posters and several species of decorative arts.
(Johnson 20110623 Neue Galerie: 'Vienna 1900: Style and Identity' (through Aug. 8) One of history's more fraught fin-de-siècle efflorescences of art and thought is recounted in a shifting kaleidoscope of paintings, drawings, architectural models, posters and several species of decorative arts.
Instead of airily escaping the physical nature of art into a world of thought, it dumbly and relentlessly insists on its material reality – and nothing else.
