Sentence examples for art of staging from inspiring English sources
While not an opera nut, in the conventional sense of the word, he does love the art of staging operas, which includes everything from getting the best singers and musicians to making sure there is a future for the art form.
"It's hard for a broker who wants you to sign a listing agreement to say: 'Those pictures of your parents and grandparents have to go,' or 'There's an odd smell in this house.' " It's also helpful to hire a stager who has been taught the art of staging.
"You don't want to walk into a house and say, 'Oh my God, the carpet,' " said Mr. Fulk, 34, one of a growing band of decorators specializing in the fine art of "staging" or "propping" houses for sale, a phenomenon that has reached epic proportions.
According to Mr. Wescott and Mr. Stanard, the art of staging requires a deft hand.
1611), Prospero, living on a mysterious ocean island, is a magician whose art consists of staging redemptive illusions: storm and shipwreck, an allegorical banquet, "living drolleries," a marriage masque, moral tableaux, mysterious songs, and emblematic set pieces.
For more than three decades, Lacombe has been capturing the simultaneously public and private art of stage acting.
These two orphans of the revolution thus become brothers in Yu's opera troupe, rigorously training themselves in the semimartial art of stage combat.
They may perform in front of thousands at festivals and in huge venues, but Bombay Bicycle Club first learnt the art of stage swagger in the most discerning circumstances of all: the school assemblies of Muswell Hill.
The art of stage makeup has become so complex that most theatrical companies employ a professional makeup artist who creates and applies makeup suitable to the actors' various roles.
A year and a half ago, in Davos, Switzerland, Probst met Carol Becker, the dean of Columbia's School of the Arts, and an unlikely addition to the curriculum was conceived: a weeklong immersion in the art of stage presence.
In the 1990s, Mr. Zerman branched out by publishing new titles like "Jean Arthur: The Actress Nobody Knew," by John Oller, and "Swashbuckling: A Step-by-Step Guide to the Art of Stage Combat and Theatrical Swordplay," by Richard J. Lane.
