Sentence examples for art of men from inspiring English sources

Benulek opted for "Banter is just wit for people who have to plan ahead", blundermouth suggested "Banter is the art of men not being able to communicate with each other", and IfThen went with "Banter and friendly insults establish and reinforce parity among otherwise potentially threatening peers, strangers and rivals".

For our intersectional purposes, were we including the art of men in this survey, we might call the presence presumed in all things to be a 'human immanence', or its derivation, a 'humanence'humanence

Alley, who talks more about her love life in her new book, The Art of Men, said she fell for Swayze while they were filming the 1985 Civil War TV miniseries North and South.

If he did it through foul means and fouler – he fouled Maradona alone a record 23 times, despite being booked early on – then it's also the definitive demonstration of the ignoble art of man-to-man marking.

BBC Sport's Pat Nevin looks at the 'dark art' of man-to-man marking, and asks whether managers are increasingly adopting such tactics in the Premier League.

Ab Taylor, a plain-spoken Texan who became a legend in the arcane art of man-tracking during three decades with the U.S. Border Patrol and later taught children how to survive if they became lost in the wild, has died.

It almost goes without saying that sexual competition cannot account for the arts of men and women older than prime reproductive age, or for the obvious fact that the arts, even when they also serve competitive interests, are frequently co-created and performed by more than one individual.

The republican principle demands, that the deliberate sense of the community should govern the conduct of those to whom they entrust the management of their affairs; but it does not require an unqualified complaisance to every sudden breese of passion, or to every transient impulse which the people may receive from the arts of men, who flatter their prejudices to betray their interests.

June 17 2015 September 20 201515 From 1845 to 1857, the self-taught Missouri painter composed some of the most indelible images in nineteenth-century American art: scenes of men in boats on the Mississippi and its tributaries, the Ohio and the Missouri.

"There is no reason why a woman should not be a blacksmith," Mrs. Wynne, a divorced mother of two boys, would declare, and she advised single female friends to "marry your art" instead of men.

He raised the question, "why do the museums of the arts of man get more money than the museums of the arts of nature".