The phrase "art latitude" is not a standard expression in written English and may cause confusion.
It could be used in a context discussing the freedom or flexibility an artist has in their creative process or interpretation.
Example: "The artist took great art latitude in reimagining the classic piece, infusing it with modern elements."
Alternatives: "creative freedom" or "artistic license".
The Rockets' approach has been to give Artest the latitude to do so.
Queen of the arts festivals, Latitude is as much about theatre, literature, ballet and comedy as it is music.
Its big draw was Lang Lang, a Chinese pianist, who gave majestic performances of Chopin and Liszt to a Sunday-lunchtime crowd on an open stage set in the lake.Tania Harrison, the arts curator for Latitude, argues that people are not just interested in one genre.
The controversies that raged after the publication of Jacob Burckhardt's Civilization of the Renaissance in Italy (English translation, 1878) have abated, and the time span of the Renaissance is generally accepted as the period from roughly 1400 to about 1600, although certain geographical areas and certain art forms require greater latitude.
Not all festivals have the eclectic mix of arts and culture of Latitude that keeps the crowds flocking; 2011 was a particularly disastrous season, with 30 music festivals cancelled and even Glastonbury's Michael Eavis predicting his mighty event's demise in a few years' time (although that looks unlikely to be the case).
The museum built its collection in the early 20th century, when deep-pocketed industrialists gave curators wide latitude in the art market.
"Translocations" is running concurrently with "How Latitudes Become Forms: Art in a Global Age," an exhibition in the Walker's regular galleries.
The Walker, which produced "How Latitudes Become Forms: Art in a Global Age" several years ago, has a special way with issue-rich, philosophically based exhibitions of a kind many other museums steer clear of.
If we are ever to produce great playwrights, composers, choreographers, theatre, musicals and films to any noticeable degree, we must learn to trust those who work in art development and give them some latitude.
Such art has few rules and considerable latitude for improvisation.
