Sentence examples for art con from inspiring English sources

Edgerton's imagery is much closer to notions of magic realism (in the art con text) than anything else.

The infamous British painter, whose story will be told in an upcoming movie called Art Con, brushed a couple hundred forgeries of artists like Picasso and Matisse from 1987 through 1995.

In our second prediction we hypothesized that the training of crossmodal associations between formerly unrelated sounds and images might also induce effects of congruency, that is, activation differences in 2 possible directions: AV-ART-CON > INCON or AV-ART-INCON > CON.

To this end, we computed in the across-session GLM the contrast AV-ART-CON (POST) > AV-ART-INCON (PRE) and vice versa.

Significant effects (t(17) = 4; P < 0.001, uncorrected) for the contrast AV-ART-CON [POST] > AV-ART-INCON [PRE] are shown in Figure 6 A (orange colors).

The rationale for this was that the stimuli of the experimental condition AV-ART-CON were repeated most frequently because they were presented in this constellation in both fMRI sessions as well as in the training session.

Furthermore, we additionally computed ROI-based paired t-tests for AV-ART-CON (POST) > AV-ART-INCON (PRE) to exclude unspecific repetition effects for the trained material in the regions exhibiting our most relevant experimental results.

Bimodal conditions consisted of synchronously presented sounds and images with varying degrees of semantic congruency (AV-NAT-CON: e.g., dog photograph barking sound; AV-NAT-INCON: e.g., dog photograph meowing sound; AV-ART-CON, and AV-ART-INCON).

Accordingly, we searched for voxels exhibiting stronger signals for the contrast AV-ART-CON > INCON (or vice versa) in those regions which showed additionally significant results in the contrast AV-NAT-CON > INCON (or vice versa).

Note that in the first fMRI session (PRE), that is, prior to the establishment of learnt associations between the artificial sounds and images, no differences between AV-ART-CON and AV-ART-INCON were expected.

In order to control for these potential repetition-related effects we contrasted the experimental condition which was arguably most likely to be affected by such effects (AV-ART-CON [POST]) with the experimental condition least likely to be affected in this regard (AV-ART-INCON [PRE]; see Materials and Methods).