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In 1997, such arrangements were almost unheard of, though there was nothing illegal about them.
The staging arrangements were almost identical to those in contemporary London.
The arrangements were almost regal, and the songs had titles like "Nobody's Fault but My Own" and "Dead Melodies".
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This arrangement is almost unique in Europe.
The arrangement is almost absurdly harmonious: the classics professor who has gone to the land (not just any land, but land that's forgotten and seemingly irredeemable) and found virtue there, for himself and ultimately for his customers, who by buying his wines are buying into Schoener's vision and thereby becoming something more than just elitist wine collectors.
From the table it is observed that the reduction in the responses for the two different damper arrangement is almost similar and decrease in the reduction of the responses of the two structures with only six dampers (50% dampers) is not more than 10% of that obtained for the two structures connected at all the floors.
Dean admitted to the similarities: "The arrangement is almost the same: riff, solo, verse, chorus, solo, back to a second verse it's pretty much the same setup".
The arrangement was almost identical for members of subfamily II, III, V, IX and XII-b.
It was loosely based in facts, though their arrangement and context were almost embarrassingly calculated.
He said: "Clearly, the Italians felt that the previous arrangements were acting almost as a spur to people coming across from North Africa on these boats in these very overcrowded, dangerous conditions.
The arrangements for conscientious objectors were almost identical to the World War I provisions.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com