The phrase "army art" is correct and usable in written English.
It can be used to refer to artistic works or expressions that are related to military themes or created by military personnel.
Example: "The exhibition featured a stunning collection of army art that depicted the experiences of soldiers during wartime."
Alternatives: "military art" or "combat art".
Army art tends to be more about the battle, and the Army loves trucks.
Aristos, they say, are being ghettoised in a narrow range of industries, such as the army, art dealerships and estate agencies.
Details were obtained at the 4 army ART clinics and all the other non-army ART clinics on the number of days in a week the clinic operated, the number of clinicians and nurses operating the clinic, drug stocks, and, in the last quarter of the year, drug adherence of patients alive and on ART.
The 4 army ART clinics managed patients on an average of 3.0 days per week, similar to that seen in the 99 non-army clinics in the public sector (3.0 days per week).
To the army officer, art is at issue, not politics, and certainly not humaneness.
He attended the United States Military Academy at West Point, but he soon abandoned the army for art.
Only Derrida, Lacan and other academic superstars have cults as aggressive and didactic as Barney's army of art nerds.
EAST CAROLINA 59, ARMY 24 Art Brown rushed for 161 yards and had 4 touchdowns while Paul Troth threw for two touchdowns as East Carolina (2-3, 2-0 Conference USA) beat Army in Greenville, N.C.
Created by German craftsmen for the Prussian king's palace near Berlin, the unfinished Amber Room was given to the visiting Russian czar, Peter the Great, in 1716, by the king's son and heir, Frederick William I, who was more interested in his army than art and more than happy to be rid of the treasure.
Traditionally, auction houses have relied on an army of art connoisseurs — specialists who are able to identify artists, craftspeople, schools of work and often much smaller, more subtle details to help determine the provenance and value of a work — not only to help source objects, but to help find the right buyers to bid on and eventually buy the work.
Oswalt is no renegade: He expresses the position of design schools from the Cooper Union to the Delft University of Technology when he denigrates "the fetishizing of objects and freezing of ideas by an army of art historians, museums, and manufacturers of design items".
