It was composed in the verse form of the heroic couplet, mediated by the iambic pentameter that has been a constant presence in English poetry; it seems to close down its argument and description with each clinching rhyme, but at the same time it evokes a world of intricate and harmonious order.
Problem Cases: Perhaps the main argument for description and default relativity, which also features as an argument for model relativity, is the utility of such additional relata in resolving problem cases.
This introspectively based argument against description theory, weak though it is, is often prelude to the even stronger claim that the phenomenology of imagery directly supports the view that mental images are inner pictures.
You can see a speaker or a situation through listening, hear the arguments and description, paint your own landscape.
There are three well-known arguments against description and sense theories of names (the latter on the interpretation of sense as intension).
Objectivity: Leaving aside linguistic issues of surface form, the main argument against descriptions, models, and/or defaults as secondary relata is that including these would compromise the objectivity of causation.
Design cases resting upon nature's alleged inability to produce some relevant 'natural' phenomenon are generally assumed to explicitly or implicitly appeal to supernatural agency, and are typically described as "God-of-the-gaps" arguments—a description usually intended to be pejorative.
These scholars taught that God's limitless nature is beyond human language or reasoning to encompass: our arguments or descriptions aren't even approximations.
Combining rigorous philosophical argument with journalistic description, "Animal Liberation" is one of those rare books that demand that you either defend the way you live or change it.
The Argument class has Description and Caption properties, which it inherits from the PROforma Component class.
We have conscientiously attempted to provide a neutral and comprehensive review of the existing arguments, by clearly separating the description of the arguments (see subsection 'Arguments used in the debate') from our critical appraisal of the arguments (see subsection 'Critical appraisal of the current debate').
