The phrase "are experienced together" is correct and usable in written English.
It can be used to describe shared experiences between individuals or groups.
Example: "The challenges we faced during the project are experienced together, strengthening our bond as a team."
Alternatives: "are shared" or "are encountered together".
Since the tones are experienced together, albeit in succession, the two are phenomenally unified, or diachronically co-conscious – as indicated by the lower double-headed arrow.
If x and y are experienced together, and both x and y are present, how can x and y fail to be simultaneous?
Accordingly, provided the envisaged succession of phases [P1, P2, P3 … Pn] are related in this manner – they are diachronically co-conscious, and so are experienced together – they already constitute an experience of succession, and nothing further is required.
In unified conscious states, the things that we experience are "experienced together", "enter into the same phenomenal content" (p. 36, his emphasis) — which phenomenal content could be the content of a single non-composite experience.
Although in this last episode representations of a, b and c are experienced together with d, these tone-phases are not experienced as simultaneous – i.e., as a chord – rather, they are experienced as a succession.
Since the successive contents contained within a specious present are experienced together, isn't there is a sense in which both tones are present even though they are non-simultaneous?
"This accumulation of feelings that so many of us are experiencing together, across the globe, is collective trauma.
The production rests on heavily processed guitar strums, evoking the unsettled warmth of the Los Angeles afternoon the song's various protagonists are experiencing together.
Instead, they are linked through their having been experienced together on numerous occasions in the past.
He seems to sense that the thinking behind the project can sound a little vague, however entertaining his younger brother's riffs, and explains that his visual elements in the book and Archy's compositions are meant to be experienced together, "like two halves of a puzzle".
For a sequence of contents to be experienced as a succession, they must be experienced together, and to be experienced together they need to be diachronically co-conscious.
