The phrase "are counteracted for" is not correct in standard written English.
It seems to be a misuse of the term "counteracted," which typically does not require "for" in this context.
Example: "The effects of the medication are counteracted by the presence of alcohol."
Alternatives: "are mitigated by" or "are neutralized by".
The Straits Times noted that salaries for software engineers fall below the global average of $49,000 per year in Singapore, though that drawback may be counteracted for some by the other benefits referenced in Nestpick's findings.
These may have engaged a tendency to repeat, which had to be counteracted for phonologically related pairs.
Accordingly, the hyperinsulinemia-stimulated CAT-dependent uptake of ADMA and SDMA into the cells, probably within the liver and the kidney (both referred to as a "sink" for circulating ADMA [ 50]) – might hypothetically be counteracted – for ADMA but not SDMA – by the hyperglycemia-induced depression of DDAH activity [ 48].
The limited number of patients and the restrictions imposed on the study concerning the criteria for inclusion are counteracted by its extension to healthcare centres serving populations living in a different cultural situation, and to centres that are organised in different ways.
But the good things it has done for the living world are counteracted – perhaps much more than counteracted – by a few astonishing idiocies.
Common explanations for the difference are counteracting each other.
It might mean that something has changed in the American political landscape, that there are particular factors in this year's Republican nomination race that are counteracting the theory, that the evidence for the theory was somewhat overstated to begin with — or all of the above.
However, there are counteracting tendencies.
For male release programs to be effective, the negative effects of inbreeding on laboratory-reared mosquitoes need to be counteracted using schemes for reconstituting their genetic diversity and phenotypic quality (Benedict et al. 2009).
His tendency to complexify, to overlay, to underlay, to add, comes off as a kind of frustrated complexity, even a self-loathing complexity that is counteracted by a longing for a lost simplicity (the number of times the word Sehnen, longing or yearning, is heard in the course of the opera suggests entire worlds of dissatisfaction and unfulfilled desire).
