The phrase "archive of performance" is correct and usable in written English.
It can be used to refer to a collection or repository of recorded performances, such as in the context of arts, sports, or any field where performance is evaluated or documented.
Example: "The theater's archive of performance includes recordings of every show from the past decade."
Alternatives: "collection of performances" or "repository of performances".
Also of note is "69 Positions" (at MOMA PS1), a performance in the form of a guided tour by the Danish choreographer Mette Ingvartsen, who elucidates connections between nudity and egalitarian politics in an archive of performances from the nineteen-sixties.
The Kunz story is controversial because, as you can see here (where you can sign up for free to watch a huge archive of performances from the competition, and tune into the live performances as well), he's a pianist of shining talent and individuality – just the sort of artist the rebranded competition aims to be about.
Watch the bass player of one group (Animals) discover Hendrix in a small club and create an archive of performances that still are being mined for new gold.
Performers from the UK performance— hailing from the UK, Croatia, and Panama will travel to Chicago to fuel exchange between the US and UK communities, and highlight a critical examination of the material in both the archives, as well as questions surrounding the documentation and archiving of performance.
Who and what else are we failing to see in the archive because of performance history's taste for triumph?
Presents the only remaining sound recordings in the archives of performances of famous stage Yiddish actor Solomon MikhaĬlovich Mikhoėls.
Airing at the height of the Black Power era, the show also serves as an archive of black performance.
METROPOLITAN An article in some editions last Sunday about an archive of theatrical performances misstated part of the name of the library housing the collection.
The trouble with recordings of the standard repertory is that interpreters must now compete with a seemingly infinite archive of historical performances.
At a meeting with President John F. Kennedy, Mr. Ramone encouraged the formation of an audio archive of these performances, which was later done.
