Sentence examples for architectural surface from inspiring English sources

Decorative exploitation of the architectural surface with flexible, S-shaped linear ornament, commonly called whiplash or eel styles, was indulged in by the Jugendstil and Sezessionstil architects.

The structural and decorative units that delineate the architectural surface of the walls of the Old Sacristy and of the basilica proper are of particular elegance and restraint characteristic of Brunelleschi's work at this time.

Commercial methods vary due to the current primary use as an architectural surface material, with processing used to achieve different colours in the material.

The cameras are equipped with different focal lens objectives, allowing the system to acquire both geometric and colorimetric information of an architectural surface (monuments, frescoes…) at different scales over areas of tens of square meters.

He is widely known for a very analog and unwieldy reverse-painting technique where he gets the best of two worlds -- gesture and perfection, as raw color and line assume a glossy, architectural surface.

Applying the text on architectural surfaces needs to concentrate and think about many design aspects.

Most at the Whitney are presented in their unbuilt state, as language writ large or small on architectural surfaces of all kinds, or printed in books and catalogs or on matchbook covers, exhibition cards and posters.

One of the most innovative approaches is the 2D spatial typography projects, meaning 2D typographic applications on architectural surfaces like walls, ceilings, stairways etc.

The aim of this review is to provide a report on the latest developments in a specific area of the maintenance of architectural surfaces: the use of multifunctional (self-cleaning, de-polluting, biocidal) nanocoatings based on titanium dioxide on architectural stone surfaces.

To reach this goal, we select a set of four contemporary architectural surfaces and we establish a systematic comparative analysis between Statics Aware Voronoi Grid-Shells and equivalent state of the art triangular and quadrilateral grid-shells.

One of his first works, at the San Francisco Art Institute in 1969, involved simply rearranging the institute's movable interior walls that were used for exhibitions but leaving the walls empty, to make evident to visitors that while the walls "appear to be architectural surfaces," as he wrote, "they are really planar objects".