Sentence examples for architectural effects from inspiring English sources

Specific types of architectural effects on requirements decisions are identified, as are different aspects of the architecture together with the extent of their effects.

The interior architectural effects achieved (notably the retrochoir of Wells Cathedral or the choir of St. Augustine, Bristol) were more inventive generally than those of contemporary continental buildings.

Brick floors and patios, besides providing a long-lasting, low-maintenance material, offer the designer a medium for developing architectural effects in both colours and patterns.

The problem is in the architecture – compromised in a different way to Broadcasting House, this time a typically 21st century fudge between coherence and variety combined with the grim architectural effects of ruthless cost-cutting – and the planning.

The building has a logic to it: functional sections are the starting point, but they are placed so that the spaces between them are large enough and spectacular enough to produce powerful architectural effects.

Christopher Nolan's new movie is a colossal digital artefact, a virtual reality sci-fi thriller set inside the dreaming mind, with brilliant architectural effects and a weirdly inert narrative inspired by Philip K Dick and Lewis Carroll.

A more likely explanation is Palladio's understanding of the differences between architectural effect and effective marketing.

The New York Times praised the very slight outlining in red and other colors of the open truss work, saying "the illuminated timbers of the roof form a perfect chef-d'oeuvre of architectural effect".

The retaining wall of reinforced brick provides an economical means of restraining earth movement and at the same time maintains a continuity of architectural effect, particularly if the adjoining structure is built of brick.

The ability to move, in a few short steps, from the darkness of the brick vaulted lobby to the joyous explosion of light that fills the towering pink courtyard is not just a great architectural effect; it is a powerful metaphor for what art can do — and what it did for her.

It proceeds by outlining the Hall's prehistory, dealing with the earlier use of architectural effect by the Institute to build its status when Chartered Accountants' Hall was first built in 1893.