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The main motivation for removing it seems to be the architects' desire to play at being artists, which is almost always a bad sign, and to create something "vibrant", which is even worse.
This tension — between the need for control and the architects' desire to create a feeling of lightness and transparency — is apparent everywhere in the design of the crossing station.
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To produce within the building the emotionally powerful effect of light and shadow that the architect desired, the motorized diaphragm openings rarely needed to change.
But I'm thinking about a wish practically universal among architects: the desire for a dream client, who writes the checks and forever after holds his tongue.
There should be nothing obscure about this concept for those who've spent even an hour at the ancient Forum, where visitors wander through (demolished) walls as well as around them, creating what landscape architects call "desire lines" in the soil.
You can read all about it in "The Architect of Desire," a hypnotic family memoir about the tragic and emotional legacy of the Gilded Age's favorite architect, written by his great-granddaughter, Suzannah Lessard.
Fronting on to a lake with assertive volumes of concrete and stone, the new library and student centre seems to have been designed in line with the original architect's desire for "something fierce".
Really?) White's great-granddaughter Suzannah Lessard wrote a searching memoir, "The Architect of Desire," about White's genius and his destructive compulsions, and the psychic toll of his tainted legacy on the family; part of the book was published in the magazine in 1996.
Those who have read Suzannah Lessard's book "The Architect of Desire" will be familiar with Box Hill, which the author, one of the numerous other talented members of the White clan, evokes as a locus of dreams and memories, delights and dangers.
In his design, park architect David M. Schwarz desired the creation of a village-like "park within a (ball) park".
The idea began with the architect David Rockwell's desire to create a more engaging play space for his children — and others — on a parking lot near the South Street Seaport in Lower Manhattan.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com