Sentence examples for appropriation of material from inspiring English sources

For Bourdieu, a field is a "space" encompassing both the production, circulation and appropriation of material goods or symbols (as for example in the fields of literature, art, science, or economy), as well as the power relations between players (individuals, institutions or social groups).

Additionally, appropriation of materials creates both a visual transformation as well as a transformation of contained content.

He said a piece of paper with the password to part of the encrypted files was discovered along with the hard drive and Robbins criticised Miranda and his associates for "very poor judgment in their security arrangements with respect to the material rendering the appropriation of the material, or at least access to it by other, non-state actors, a real possibility".

(And then, of course, the winking appropriation of genre material became a convention in itself but that's another story).

If challenged, an artist would have to stand up in court and attempt to prove that the appropriation of copyrighted material was justified because the end result was satirical or funny.

There is an element of improvisation, as well as of memory, in his appropriation of fresh material; and judging by the practice of singers studied from the middle of the 19th century onward in Russia, Serbia, Cyprus, and Crete the inclination to adjust, elaborate, and improve comes naturally to all oral poets.

The publication or republication by the Government under this chapter, either separately or in a public document, of any material in which copyright is subsisting shall not be taken to cause any abridgment or annulment of the copyright or to authorize any use or appropriation of such material without the consent of the copyright proprietor.

Similarly, justifying appropriation of copyrighted material on the basis of making a commentary or parody only works "if the average person can see" that some comment is being made, he said.

Mr. Wilson blends an un-self-conscious postmodernist cool with a lovingly perceptive appropriation of folk materials.

Reggie Wilson, a choreographer who marches to his own distinctive though quiet drumbeat, celebrates the new millennium and his own 33rd birthday with "Wangena -- The birthday concerts". Mr. Wilson blends an un-self-conscious postmodernist cool with a lovingly perceptive appropriation of folk materials.

On the one hand, the orientation toward personal pleasure and comfort, nonexistent in Maoist China, is implicit in consumer preferences and in the appropriation and appreciation of material goods among the middle class.