Sentence examples for appropriate aesthetic from inspiring English sources

In cultures where observation is considered an appropriate aesthetic quality for theatre, proscenium theatres proliferate; in those where audiences expect to share more of the experience of the drama, they are less popular.

In short, appropriate aesthetic experience is held to involve the total immersion of the appreciator in the object of appreciation (Berleant 1985 1988 1992 2013).

Thus, this position includes within appropriate aesthetic experience of nature those abstract meditations and ruminations about ultimate reality that our encounters with nature sometimes engender (Hepburn 1996).

However, the extent to which scientific cognitivism and related views can underwrite a robust objectivism concerning the appropriate aesthetic appreciation of nature is questioned on various grounds (Budd 2002, Hettinger 2007, Bannon 2011, Stecker 2012).

Thus, in appropriate aesthetic appreciation, local and regional narratives, folklore, and even mythological stories about nature are endorsed either as complementary with or as alternative to scientific knowledge (Sepänmaa 1993, Saito 1998b, Heyd 2001).

Kant then argues that there are two elements in such an ideal, namely a uniquely valuable purpose or end and a uniquely appropriate aesthetic expression of this purpose or end.

It has a similar philosophy of mixing old and new in vignettes throughout the space, but with a slightly different, more New York-appropriate aesthetic.

Of course, this slots right into neoliberal corporate ideologies because they can appropriate the aesthetic without having to also relay to socio-political milieu of the image.

"Large-scale product designers are creating objects that seek to align themselves with the Apples and Samsungs of the world, either directly, through product integration and hardware/software compatibility or appropriating their aesthetic," explains James Cartwright of design publishing platform It's Nice That.

While the boundaries of each display don't make for the most unified experience, the effect could be appropriated for aesthetic purposes by an enterprising artist.

Wollstonecraft was not as receptive to Rousseau's ideas as she was to Locke's; she appropriated the aesthetic of the sublime to challenge Rousseau's ideas regarding the education of women (discussed in more detail below).