Sentence examples for approach to creative from inspiring English sources

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In fact, Tharp's approach to creative innovation might best be described as one of unflagging opportunism.

As Chief Innovation Officer, Debby will be responsible for developing and leading Citi's approach to creative, forward-looking collaboration with external constituencies, including current and prospective clients, venture capital firms, government agencies and academic institutions.

A reckless approach to creative risk-taking led the BBC into crisis last year, its incoming director general warned, as he sought to identify areas where the public broadcaster – currently afflicted by strikes, low morale and the continued fallout from the Jimmy Savile affair – could learn from the world of opera and ballet.

She fell in love with this approach to creative thinking and started bringing concepts from the d.school into the laboratory.

Stage 2 scaffolded the student's approach to creative problem solving with a focused discussion of research on the role affect plays in problem solving.

It suggests that a designer's approach to creative problem solving is very different from how computer scientists, for example, solve puzzles.

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Similar(51)

These two contradictory approaches to creative success are on display in two new books -- Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration by Ed Catmull and Amy Wallace, and Creativity: The Perfect Crime by Philippe Petit.

Despite the known importance of innovative design, there is a lack of effective approaches to creative design activities for the product innovation [3].

Creative problem solving can be broadly classified into intuitive and analytical methods the paper suggests the analytical approaches to creative problem solving as the most promising group for process engineers.

By classifying the tasks that designers complete throughout the design process, analysis has demonstrated two different approaches to creative behaviour in later stage design; dependent on the way in which designers identify, develop and use knowledge and design variables.

Similarly, there is increasing evidence that the cost of "revolutionary" approaches to creative endeavors, whether it is in the arts or sciences, may be associated with increased levels of psychopathology although, again, causative links are weak at best.

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