The part of the sentence "appreciation of work" is correct and usable in written English.
You can use it to refer to someone's recognition of the effort and skill put into something. For example, "Our team was delighted to receive their boss's appreciation of work they had done".
The designs are overcrowded and debased, and its popularity undoubtedly retarded an appreciation of work in the true Japanese taste among Western students and collectors.
Herles' girlfriend, Elisa, says this creative confidence is causing a buzz in Lima: "Cultural manifestations that we've neglected before are getting more consideration now," she tells me - pointing to the appreciation of work by the likes of Chermen and Tupac, as well as wider attention from international media.
In an appreciation of work bridging science and philosophy or a canny attempt to buy credibility, depending on whom you ask the controversial Templeton Foundation has awarded its $1.6 million annual prize to an agnostic: astrophysicist and former Royal Society President Martin Rees.
The paper concludes that an appreciation of work undertaken in a range of different disciplines, such as media studies, medical sociology, and evidence-based medicine can enhance our understanding of the critical health literacy construct and help us understand its usefulness as a social asset which helps individuals towards a critical engagement with health information.
Photos: Dec. 7: The Friends of Education, which encourages the appreciation of works by African-American artists, celebrated its 10th anniversary at the Museum of Modern Art.
It is essential to be more specific, however, about the factors other than careful and repeated perusal of the work of art itself that the contextualist holds are either necessary or extremely helpful in the appreciation of works of art: 1.
For example, in serious, appropriate aesthetic appreciation of works of art, it is taken to be essential that we experience works as what they in fact are and in light of knowledge of their real natures.
There were sympathetic commentators – Christopher Ricks, for many years, and Peter Robinson – who gathered together intelligent, informed appreciations of work that required a certain amount of research and exegesis for its proper appreciation.
A man of great capacity for work and a sensitive appreciation of the work of others, he excelled in bringing together diverse points of view.
But Bertolucci isn't drawing on work like Fuller's — he's drawing on the fans' appreciation of that work.
If the artist has created other works, particularly in the same genre, acquaintance with them may enhance appreciation of the work at hand.
