The phrase "applying to dance" is correct and usable in written English.
It can be used when referring to the act of submitting an application or expressing interest in participating in a dance program, class, or audition.
Example: "I am applying to dance in the upcoming performance at the community theater."
Alternatives: "auditioning for dance" or "submitting an application for dance".
"As much as I really do love elements of dance music, and it's something that has inspired me a lot, the whole EDM thing," she squints, referring to the cheese-whiffed acronym (electronic dance music) that Americans insist on applying to dance music, "isn't something I would want to pin on myself".
tells her he will not be applying to dance schools as planned, but has instead applied to Stanford's pre-med program to please his father.
It has been applied to dance forms, movement in sports, and physical education.
I discovered poststructuralism, and it gave me a methodology to apply to dance.
These criteria would seem to apply to dance revivals, except for the fact that the situation can be trickier.
It would be more accurate, however, to consider that the narrow doctrine of Socialist Realism, when applied to dance, dovetailed with the broader, pre-existing esthetic of Russian dramatic dance.
That applies to dance within the play, too, as with her showstopping clog dance for the mechanicals (workmen who perform the play-within-a-play) in last year's A Midsummer Night's Dream.
As a choreographer, Bausch had nothing to do with political correctness, but in this one brilliantly inventive act of casting she exposed the poverty of our ageist culture – particularly when applied to dance.
It's a mix of Soviet and Liberal thinking applied to dance music.
They asked me to be an expert court witness in a First Amendment case, applying to erotic dance the semiotic, socio-linguistic paradigm I had used to study dance in Africa, on school playgrounds and in American theaters.
The pairing is intended to show how both works are governed by the Apollonian (or sublimated) principles of harmony and restraint applied respectively to dance and to painting.
