In each of these methods, the application of the colour, usually as a thickened paste, is followed by fixation, usually by steaming or heating, and then removal of excess colour by washing.
If results of climate scenarios are to be visualized, thorough consideration should be given to the application of the colour scale as well as the selected value intervals for the colour coding.
In the unusual case of barely visible engravings made with very slight peckmarks, experimental application of the DStretch colour detection programme has been unexpectedly successful.
"The application of exuberant colour and geometry to the physicality of the police force aims to generate the idea of exuberance in association with intimidation," says Schofield, "whilst also reinventing the mass of desaturated 20th-century modernism found within the City of London".
8. Pocket manual for dyers and printers on the application of the coal tar colours.
For colour quantisation, the objective is, as mentioned, to minimise the total error introduced through the application of a colour palette.
Here, the artist uses highly animated, modulated strokes of defining ink, judicious, repetitive patterning, and the application of opaque colour to produce a series of carefully joined vignettes that intimately and actively tell the story.
In each case, the addition of the model that was characterized by the highest area under the ROC curve (AUROC) at the stage of models evaluation was highlighted – in Figure 2 by red frame, in Figure 3 by the application of brighter colour.
According to Fred Perry's marketing director "We had three major design meetings where she was closely involved in product style selection and the application of fabric, colour and styling details," and gave "crucial input on proportion, colour and fit".
Mr Prescott is also hopeful about Blio, an e-reading application that mimics much of the colour and flexibility of print - like the ability to share and highlight text.
In the 1960s, perhaps in response to the minimalism then in full swing, Francis left much of his canvas unpainted, restricting his application of colour to the edges (Untitled, 1967), but he returned to a more lush and vibrant palette in the 1970s and '80s and helped define a California school of modern abstract painting.
