The phrase "appearance of subject" is correct and usable in written English.
It can be used in contexts discussing the visual or superficial characteristics of a subject, such as in art, literature, or academic analysis.
Example: "The appearance of subject in this painting reflects the artist's unique style and perspective."
Alternatives: "visual representation of the subject" or "subject's outward appearance".
Beauty Mode Beauty Mode touches up the appearance of subjects even while the shot is being taken.
However, in reality, our atlas-based diffeomorphic segmentation assumes that the overall appearance of subjects' DTI images is sufficiently similar to that of this atlas so that the diffeomorphic mapping is feasible to deform the atlas to subjects.
The satisfaction with my work comes when I can make a painting as minimal as possible and still capture the fundamental appearance of the subject matter.
Stewart tells The Creators Project her goal is, "not simply to reproduce an appearance of a subject onto the skin, but rather to create custom designs that capture an expressionistic spirit of the subject". .
The title refers to a central idea in his work the decisive moment the elusive instant when, with brilliant clarity, the appearance of the subject reveals in its essence the significance of the event of which it is a part, the most telling organization of forms.
Re-identification is generally carried out by encoding the appearance of a subject in terms of outfit, suggesting scenarios where people do not change their attire.
The technique used for the fast tracking [8] uses a template library which has the appearance of the subject during the initial stage as well as the current ones.
Then a set of image patches Q 1 = { q(I 1, c1), q(I 1, c 2),..., q(I 1, c K)} centered at the salient points are used to represent the image appearance of the subject at the reference frame I 1.
You seem freer than when 'what you shot is what you got.' " You can also enhance the appearance of your subjects.
After manipulating color, brightness, and focus, the earthly appearance of his subjects falls away.
The Monet series of haystacks, poplar trees and Rouen cathedral show the variations in appearance of the same subject in changing light at different times of the day or year.
