By Hilton Als September 29, 2017 While most of the play unfolds in Mary Jane's apartment, the audience really lives within the parameters of her maternal concern — and panic — as it beats against the walls of her heart.
At 11pm every Friday night he puts on a performance in his apartment for an audience of 20, all of who are blindfolded on arrival.
Hopper's Frank Booth doesn't appear on screen for a while but once he's exploded into Dorothy's apartment and the audience's imagination – "Baby wants to fuck!" – he's unshakeable, a compelling emblem of compulsion, a huffing, quivering, apoplectic, ecstatic poster boy for God knows how many Freudian outrages, a riveting moral black hole.
While the majority of the play unfolds in Mary Jane's apartment, what the audience really lives within are the parameters of the title character's maternal concern — and sometimes panic — as it beats against the walls of her heart, like another current, along with her faithful blood: Mary Jane's son is her best hope.
In Joliet Adam Rapp lived with his mother and two siblings in a shoe-box apartment, a setting that audiences watching "Stone Cold" will recognize.
This site-specific production, staged in a Fifth Avenue apartment, is performed for an audience of only 30 (1:00).
Then, in 1386, he lost pretty much everything: his job, his apartment, his city (London), his audience.
The grown-up Lemon, ill and confined to her apartment, talks directly to the audience.
If he has an audience inside the apartment, however, he will tell stories gleaned from decades of viewing the city from a distinctive perspective.
The Fever was first performed by Wallace Shawn, its author, in 1990 in a private apartment in New York to an audience of about 12 people.
