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The Mandarin disyllabic utterance particle 好了 haole can be followed by another utterance particle, such as 吧 ba in 33f.
Previous, non conversation-analytic, studies of the constructions containing Proszę "please", describe it as a performative verb that is added to another utterance to balance the explicit and unmitigated wish of the speaker to "achieve something which makes it hard for the hearer to refuse" (Królak and Rudnicka, 2006).
Answer: a mode of signifying need not always be drawn from the thing signified, for sometimes it "can be taken from the property of the thing of another utterance;" thus, when we say 'in God', we do not mean to attribute passivity to God, who suffers not, but only to "imagine him as if being affected by our prayers".
Considering the facts in Mandarin and Cantonese, we may conclude that the polysyllabic utterance particles in Chinese are all formed by a predicative core, which may be either preceded by an adverbial element or followed by another utterance particle that may also have a predicative origin.
In 26 得 Open image in new window dakgaa ([tɐk55 ka35]) contributes some conditional meaning and can be decomposed into a predicative core 得 dak 'possible, able' and an another utterance particle Open image in new window gaa that is likely to be formed by merging 嘅 ge ([kɛ33]) and 啊 aa ([a35]).
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"Mama," he said, testing another — an utterance that stopped him in his tracks and caused his torso to jackknife forward.
And so it's easy to dismiss the Horalek affair as just another mad utterance by a wacko zealot, who no one even agrees with, being whipped up into a media story so that the internet's eternal feedback loop has something to recycle.
Figure 17 Another TIMIT utterance (a).
For a better understanding, another TIMIT utterance 'She had your dark suit in greasy wash water all year', under similar acoustic environment as used in Figure 14, is considered and corresponding echo- and noise-corrupted speech signal is shown in Figure 17a.
One section of "Remade Horizon" had Ms. Deradoorian and Ms. Coffman ping-ponging quick syllables against one another, their utterances combining to form an intricately garbled arpeggio.
More often the effect is of a record player skipping, as characters interrupt one another's utterances, so that their lines of dialogue seem to be proceeding on different sound tracks.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com