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The phrase "another compression of time" is correct and usable in written English.
It can be used when discussing concepts related to time, such as in literature, science, or philosophy, where time is perceived or represented differently.
Example: "In this narrative, the author employs another compression of time to illustrate the protagonist's rapid emotional growth."
Alternatives: "a further contraction of time" or "an additional time compression".
Exact(1)
In another compression of time, one of our aircraft carriers, the U.S.S.
Similar(59)
Another extraordinary event in the poem, not visual but temporal, is the abrupt compression of time ("eighteen centuries") referred to in the tercet, after which a swift, slightly ironical transition to the mundane finds "Mr Blake" at home in London.
They understand editing happens, compression of time and highlights".
She portrays a compression of time, space and place, independent of historical significance.
This story has a different narrative: its emphasis is not on longevity but on the compression of time.
The compression of time -- spent looking, thinking and working -- in Ms. Altfest's strange, unflamboyant surfaces manages to feel both steeped in tradition and startlingly fresh.. ROBERTA SMITH.
Seated in front of the large computer monitor in his office recently, Myhrvold said, "There's a tumultuous compression of time scales, where the hype and hoopla — the general-press and public-interest — people have been living in the future.
Yet the compression of time is allowable, because the panic and the fawning dread that are instantly triggered by his name, in these opening scenes, ring all too true.
This lovely glossy book, stuffed with contributions from alumni of the London theatre – artistic directors, writers, actors and designers – creates a strange compression of time and space in its images and reminiscences.
In any event, many of these works convey an imposing compression of time and attention without ever getting precious or obsessive about it.
De Keersmaeker has always concentrated on notions of "space, the organisation of space, geometrical patterns that underline the choreography", but she wanted to resume her early interest as a choreographer in different perceptions of time, particularly the stretching and compression of time.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com