Sentence examples for another callback from inspiring English sources

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Ms. Peil, an opera singer who appeared as the beggar woman in "Sweeney Todd" at the Kennedy Center last summer, won her role as Guido's mother because Mr. Leveaux liked her, lost the part at a callback audition because Mr. Yeston did not like her and regained it at another callback after working on her voice.

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Ciro Guerra's black-and-white journey into madness from 2015 is actually a bit of a callback to another stoner classic: Werner Herzog's harrowing 1972 epic Aguirre, the Wrath of God.

The scene between them in their bedroom almost felt like a dream sequence; I half wondered if it was one, but it all really happened (and it served as something of a callback to another moment of truth with Betty from a season or two ago; like Megan, she had little makeup on and was at her most sincere).

There's another obvious American Psycho callback in the episode's final scene, when a dance partner asks, "So what do you do?" Andrew replies, "I'm a serial killer," before assuring the confused man that he's actually a banker.

Insomniac's site doesn't credit a particular artist (THUMP's attempts to get the designer's name from Insomniac also proved fruitless), but the poster's visual template is a definite callback to another giant-sized thank-you letter to the dance-music scene: the Respect album, released in 1994 by Hardfloor, the duo of Oliver Bondzio and Ramon Zenker, on Frankfurt imprint Eye Q/Harthouse.

­ –before and after ripping Carlos's ear off of his head in Freddy's Dead and held up later as a callback when he asks another victim to speak up, due to his "deaf ear".

Finally, two of the boys, including Jacob, were told that they'd be moving on to the Fox lot later that day for yet another round of callbacks.

As a robustness check, I also consider another outcome: if a resume submitted receives a callback for an interview conditional on employers calling back only one applicant out of two.

Another painting, showing a nude Burns, is a callback to a previous episode of the series, "Brush with Greatness" (1991), in which Marge produced the painting for Burns.

We then delete one of its vertices and try to find another forbidden subgraph, adding up to n inequalities per callback.

Analyzing the callback rates obtained by immigrants more in detail, another difference appears, concerning whether the candidate is a first- or a second-generation one.

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