The phrase "animators for the" is correct and usable in written English.
It can be used when referring to a group of animators who work for a specific project, company, or organization.
Example: "The animators for the new animated series have been working tirelessly to meet the deadline."
Alternatives: "animators of the" or "animators associated with the".
While Wexler takes the lead on visual content and King is the mastermind of the physical design of Layer³, both create the original animations and select the works of other animators for the show.
The animation was produced domestically at Klasky Csupo, with Wes Archer, David Silverman, and Bill Kopp being animators for the first season.
He had been unhappy about his son's decision to go to art school, but he changed his mind after reading, in The Saturday Evening Post, that Chouinard was supported largely by Walt Disney, and that many of its students became well-paid animators for the Disney studio.
The idea of Duncan originally being a diving horse was inspired by an actual diving horse that used to jump into a pool at Steel Pier in Atlantic City, New Jersey at the beginning of the 20th century; a postcard showing this horse was used as a reference by the animators for the scenes featuring the diving.
The mad profusion of characters leaping and bounding through "Pinocchio" (1940) and "Bambi" (1942) gradually gives way to the streamlined flatness of "Sleeping Beauty" (1959), Disney's last visually ambitious effort and a film very much under the influence of UPA, the renegade cartoon studio founded by dissident Disney animators for whom the house style was too fussy and quaintly naturalistic.
Tomorrow Jason Narvaez, an animator for the turtles' television show, will visit the museum to demonstrate cartoon art.
Danna and Ed met in 1965, when Danna was working as an animator for the Hanna-Barbera studio, and they were married in 1967.
Mr. Molinsky trained at the California Institute of the Arts School of Film/Video, worked as an animator for the television show Rugrats, and now does pieces about the arts for Studio 360, a weekly radio show produced by Public Radio International and WNYC.
After working as a computer animator for the director George Lucas on "Star Wars" and trying, unsuccessfully, to develop a film based on the Frank Herbert novel "Dune," Mr. O'Bannon created the story of "Alien" with the screenwriter Ronald Shusett and wrote the screenplay on his own.
Eric Goldberg, the supervising animator for the Genie, then reviewed Williams' recorded dialogue and selected the best gags and lines that his crew would create character animation to match.
