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The studio has much hope riding on the two computer animations set for next year: a sequel to the comedic "Shrek" and the much anticipated "Sharkslayer," a wise-cracking undersea adventure about organized crime, using the voices of Will Smith, Robert De Niro and Martin Scorsese.
Korean-based creative studio Sticky Monster Lab use their graphic design, illustration, and motion design skills to create animations set in a universe populated by characters they call "monsters"—lovable but troubled, they're drawn with a simple aesthetic and animated with a dark absurdity that holds a mirror up to our twisted little world.
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Wrinkles You're never too old for a cartoon, says this Spanish animation, set in a home for the elderly.
Tomm Moore's Oscar-nominated animation, set in 9th-century Ireland, reimagines the story of Kells abbey, where the fabled Book of Kells was produced.
The Daicon IV Opening Animation begins with an abridged, 90-second retelling of the Daicon III Opening Animation set to music by Kitarō.
This is because using CG animation for an anime set in the future was too obvious and simple.
An interesting but problematic exhibition at the Brooklyn Museum of Art, "My Reality: Contemporary Art and the Culture of Japanese Animation," sets out to explore the nature and meaning of that influence.
The show is rich in mythology and world building, and its whimsical animation sets the perfect tone.
This brief animation sets the scene and adds background to the gameplay, a first for video games.
The system consist of three aspects: a platform to record and display animations, sets of elements for animating and a community to share the content generated.
Zootropolis Disney's animal-populated animation smash, set in a distinctly urban jungle.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com