Sentence examples for animation on screen from inspiring English sources

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There, you can try your hand at animation, posing for a video flip book or manipulating forms on a light-board and watching them come to life (the root meaning of "animation") on screen.

And there it was: Harryhausen's genius with model animation on screen, explained.

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Mixing (what looks like) authentic home movie footage with psychedelic animation, on-screen text (redacted and scratched), public Q&As, bookish chapter headings, interrogative narration and an entire short film (How Would You Feel?), which is wound, rewound, screened, discussed, reinvented and dismissed within the course of the main feature, this is mind-boggling fare indeed.

It's a colourful, character-based sequencer for kids: they drag coloured shapes into place on a timeline to trigger different sounds – and animations for the animals on-screen.

But beyond that, beyond all the red carpet pageantry and all the breathless freaking out over that stuff somehow being important, it's this whole idea that what we see in films – people or animations on screen, "acting" – trumps all that just doesn't sit well with me.

Spoken words and animation enables deeper learning than animation and on-screen text (Mayer 2001 134).

This "virtual" organ is the work of the Cardiome Project, a consortium of bioengineers, physiologists and computer scientists who are knitting together the complex anatomy, mechanics and electro-physiology of the heart into an interactive model.Unlike video or animation, the on-screen organ is not simply a picture of a heart.

Instead, the director, Edgar Wright, films these confrontations as implausible, impossible blends of live action and video games — just as he converts many of the film's intimate, naturalistic moments into comic-book versions of themselves (complete with animations of on-screen onomatopoeias and verbal emoticons).

Bakshi had to judge the timing of the animation simply by flipping an animator's drawings in his hand, until he could see the completed animation on the screen.

Animation on the screen was inserted during post-production.

To make full use of it, the Soviet program designed by Lissitsky revolved around the theme of a film show, with nearly continuous presentation of the new feature films, propagandist newsreels and early animation, on multiple screens inside the pavilion and on the open-air screens.

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